Nick Bogardus

I’m telling you, Stephen Marche is brilliant. In this article over at Esquire, he just summed up the end results of people pleasing, the fear of man, actual creativity vs. mimicking, and what that reveals about a generation in a few devastating key strokes.

Why did we all laugh at Björk when she wore a swan but cheered Gaga when she wore Kermits?

Was it because Björk’s radical openness is terrifying in its boldness and uniqueness whereas Lady Gaga’s subservience — her obvious posiness — is reassuringly slavish?

Don’t we all enjoy, in a sick way, how obviously she would do anything for our attention?

Why do we want that?

What is wrong with us?

Is it that Lady Gaga is representative, outside of whatever private crisis has led to her deep need to please, of a generational shift?

Isn’t it telling of the millennials that even their most radical pop star, their rock ‘n’ roll monster, is fundamentally a pleaser?

So doesn’t Lady Gaga represent, in the end, a profound closing of the collective soul rather than an energetic bursting-forth?

A maze with no exit rather than a path to new worlds?

Or in 2011 has everything worth saying been said and everything worth doing been done and ripping off the recent past will have to do?

That there is no escape from the maze and so all we can do is expand it?

While you’re at it, check out my other posts on Lady Gaga

Stephen Marche is a pop culture critic for Esquire and The National Post.  He also writes for the New York Times and the Wall Street Journal and for the past year or so has become one of my favorite cultural critics.

“Celebrity culture is religion in disguise. It pretends to be junk while giving us the sustenance that we need. Celebrities live like gods; they act like gods. They dwell in the dark recesses of our souls where we crave the images of gods. In the aisles of the supermarkets they stare down at us like the saints and gargoyles that once crowded the cornices of medieval cathedrals with the iconography of suffering, or like sculptures in Hindu temples that celebrate birth, sex, death, rebirth. The latest American Religious Identification Survey shows that the fastest growing religious choice in the United States is “none,” now larger than every other group except Baptists and Catholics. Pop culture is rushing in to fill that space, an unacknowledged religion of consumerism, guiding the major transitions of life: birth, adolescence, marriage, sin and redemption, death and life after death. “

Read the rest over at Lapham’s Quarterly.